Twenty years ago, "Life Online" filmed a documentary for Feng Xiaogang, called "Feng Xiaogang's Day in 2000". In the film, director Feng, who has just become famous, visits his sick and bedridden mother, refuses his sister's request to work in the group, and then goes to the Beijing Dance Academy Affiliated High School as an examiner to see if there are any good literary talents. Before watching the group of Beijing kids show their talents, Feng Daoshi said something meaningful in the past and thinking about the present.
The general idea is that if you are from a small citizen family, if you want to become famous, you have to go against some inner thoughts to please others. And those children from literary and artistic families or official families are different. The former is due to the training of parents and the resources of the industry, so that three parts of the strength will be achieved; the parents of the latter are not insiders, but with their own influence, they can also make up for inborn shortcomings.
Even a few of them are not talented.
Director Feng also said: "Like Zhang Yimou and I, these were cut out by our own children. Without a background, no one can count on it."
Director Feng's words are indeed fine. In 1978, Nortel resumed enrollment and created a "fifth generation." In the memory of Nortel Professor Ni Zhen, the group of people was divided into three groups. The first group was the children of high-ranking cadres who enjoyed social privileges, the second group was a family of literature and art with a good knowledge foundation and resources at home, and the third group was civilian families.
This group of students, in addition to redouble their efforts and puck their tails in life, whether they can succeed or not, the rest has to be handed over to the destiny. To
The outstanding representative of the literary family is Chen Kaige. Triumph’s dad, Chen Huaiai, is a director of Beijing Film Studio, and he studied at the prestigious Beijing Fourth Middle School. To the fourth middle school children, Dao Chen said this:
Most of them are proud of the achievements of their fathers, and consider themselves to be born revolutionaries. They think that they are noble and pure, worthy of the country's great mission, and eagerly yearn for brilliant achievements...
To put it bluntly, Director Chen is also the passer-by. The essay is a school model essay. His younger sister was enrolled in the Primary School attached to Xicheng Normal University. The head teacher called "Chen Kaiyan" for a moment and asked her brother if she was a triumphant song, because the composition of Director Chen was widely circulated throughout the school.
It is a pity that in 1978, Triumph failed in the Chinese Department of Peking University and had to go to Nortel. In the years to come, he was still full of excitement and narcissism. According to rumors, after Lao Mouzi won the award for "Red Sorghum", Chen said on the toilet:
"Fuck, isn't it just me!"
The paragraph has no evidence. But Director Chen's ex-wife Hong Huang listened, and the reaction "is exactly what he said." Miss Hong also commented:
"Just that mouth, he can talk to you no matter how boring things are, you can't accept it."
"Children's song of triumph and Chen Huaiai"
Even if the genes are excellent, in the echelon of literary and artistic families, Triumph is not ranked first. Tian Zhuangzhuang ranks first in the 78-level group. His father, Tian Fang, participated in the establishment of the Beijing Film Factory. He was the first director and later the deputy director of the Film Bureau. His mother, Yu Lan, was the "Eternal Life in Fire" Jiang sister, "New China's 22 Great Movie Stars."
The two are Yan'an revolutionaries. Veuve’s father is a literary and artistic worker in the Kuomintang Controlled District, and his filming resume is nothing more than a “co-director”. Counting down, there is also the son of actor Zhao Dan. Among the classmates of the film department, there is also Xia Gang, who is the young master of Xia Chun, one of the "Four Famous Directors" of Beijing Renyi. Mr. Xia has been in Renyi for 40 years. He directed everything from "Thunderstorm" and "Tea House". Most of his works in his life are dramas of Renyi.
Triumph was arrogant, and he had to go back a little while discussing his family history.
As Feng said, the children of the family have their own convenience.
In the written test in 1978, Tian Zhuangzhuang answered the paper for half an hour and then ran outside waiting for Chen Kaige with popsicles. The test question is to analyze "Heroic Sons and Daughters". His dad is the starring role. A bunch of uncles and aunts have been chatting about the filming of this film at his home since he was young. Later, when taking a political exam, Tian went to see his little friend He Ping. I just ran into He Ping's father, He Wenjin, the deputy director of the Beijing Film Studio. He flipped through the newspaper and said that he must take the "Double Hundred Policy" and read it carefully.
Upon entering the examination room, this question took up 70 points.
I don't know if Tian Zhuangzhuang vented questions to Chen Kaige.
Not only do exams take advantage, but also the learning resources. When I was in my junior year, the school came to approve new equipment, which I had to let the directors try. The first thing that comes to mind is Tian Zhuangzhuang. When Veuve and the others were still looking for an internship, Tian shot the short film "Small Courtyard." Zhang Yimou, Hou Yong, and Lu Le, three talents in the photography department, gave him the shot. I didn't do it in the later stage of the film, and got a huge sum of money from his mother and went to Yunnan to shoot "Red Elephant".
考试不仅可以利用，还可以利用学习资源。当我大三的时候，学校批准了新设备，我不得不让导演们去尝试。首先想到的是田壮壮。当Veuve和其他人仍在寻找实习机会时，Tian拍摄了短片“ Small Courtyard”。摄影系的三位天才张艺谋，侯勇和卢乐给了他镜头。在电影的后期我没做，从母亲那里得到了一大笔钱，去云南拍摄《红象》。
Later, Tian Zhuangzhuang independently directed "September", and his classmates Li Shaohong and Zhang Jianya were still helping him. Before graduation, Director Tian completed four works, setting a historical record for Nortel students.
"Tian Zhuangzhuang and his parents"
"Tia NZ黄庄and his parents"
After graduation, Tian Zhuangzhuang went directly to the Beijing Film Studio, and Triumph was assigned to the newly established children's film studio. Zhang Yimou, who had no resources or background, was assigned to the remote Guangxi Film Studio. In order to keep Lao Mouzi, Tian Dao begs his mother. Yu Lan wanted to help Lao Mouzi stay in Beijing on the grounds that the children's factory had insufficient photographic capabilities.
Unfortunately, this back door did not get through. Zhang Yimou can only go to the deserted Guangxi with Zhang Junzhao and others.
Lao Mouzi is a real family of ordinary people. Before entering university, he worked as a worker in a cotton mill in Shaanxi. There is no choice for one's own destiny. The film industry talks about seniority. When newcomers come in, they must first be a recorder and assistant before they can be jointly directed and independently directed. It will last seven or eight years. Not long after Tian Zhuangzhuang graduated, he became an assistant to "third-generation director" Ling Zifeng. Although Xia Gang returned to the municipal engineering bureau of his original unit due to insufficient quota, he was transferred to the Beiying Factory in just one year. Zhang Yimou and Zhang Junzhao, who were assigned to Guangxi, had to gamble for ten years in order to make the film, and signed a military order with the factory in exchange for the opportunity to shoot "One and Eight."
The military order states that once the shooting is broken, Zhang Junzhao is willing to be the assistant director for ten years, and Zhang Yimou is willing to be the assistant photographer for ten years. What Tian Dao can do before graduation, they have to bet their youth on tomorrow.
Fortunately, "One" was completed, shaking the film world. Afterwards, Yimou was lucky to shoot "Yellow Earth" with Kaige, and was highly regarded by Wu Tianming at the West Film Studio, and changed his fate overnight.
In contrast, Zhang Junzhao, who was born in Beijing and was also assigned to the remote Guangxi, had no such luck. Zhang Dao was clearly the director of "One", but in the end he could only stay in Guangxi. Later, the most famous work he made was the TV series Starscream.
"Four people from grade 78 to Guangxi: he Qun, Zhang Yimou, Xiao Feng and Zhang Junzhao"
"four people from grade 78 to guan G系: 和Q UN, Zhang Y i某, ξ奥F鞥and Zhang Jun找"
In 2002, the famous French film critic of Le Monde accepted an interview with "Southern Zhou" and asked:
"Where did this director go?"
That was the 20th anniversary of graduating from the 78th grade. When Chen Kaige, Zhang Yimou, Tian Zhuangzhuang, Li Shaohong and other famous directors were partying in the classmates, Zhang Junzhao was filming a costume drama in a small Jiangnan town. Two years later, Triumph was filming "Wuji" in Yuanmou, Yunnan, where Zhang Junzhao was filming a TV series. The local media wanted to do something, and wrote "Zhang Junzhao "Challenge" Chen Kaige". The article was overwhelmed by the gossip of Baizhi and Nicholas.
No one knows or cares about who Zhang Junzhao is.
Although he and Kai Ge are Nortel 78 classmates.
Although they were both born in Beijing.
As the center of politics, economics, and literature, Beijing has always brought together people of all sizes. Count down along the top of the pyramid. Who is there? Therefore, in the literary circle, Tian Dao's family background is not the thickest among the children of the family.
Compared to Yingda, he almost meant it.
The upper three generations of the British family were all famous figures in history.
Great-grandfather Ying Lianzhi, and Ma Xiangbo who founded "Fudan" in the late Qing Dynasty, founded "Ta Kung Pao" and "Fu Jen Catholic University". Ying Lianzhi supported the reform and participated in the "Patriotic Association." There is a big traitor in the organization named Yuan Shikai. After Yuan's rebellion, he scolded in "Ta Kung Pao" for a full ten years. Many celebrities, such as Wang Guangmei and Ye Jiaying, have appeared in Fudali, Beiping.
Grandfather Ying Qianli was also a cultural celebrity. He probably ranked first among the most English-speaking people in the country. He teaches in two schools in Beijing and has a monthly income of 1,000. Later, he went to teach in Taiwan. When he passed away, Chiang Kai-shek wrote a plaque and Chiang Ching-kuo personally hosted the memorial meeting. On the day of the funeral, all the legislators carried the coffin. Even Ma Ying-jeou and Yu Guangzhong have listened to his literature class.
Father Ying Ruocheng, a famous translator and actor in my country, has made outstanding contributions to the cause of people's drama. Although due to historical reasons, Ying Ruocheng was not as beautiful as his father's generation, he was once imprisoned, causing his son Yingda to live on the streets at the age of 7 and live in the sewers. But after the turmoil passed, Ying Ruocheng became the deputy minister of culture.
In 1985, Bertolucci asked him to act as the warden when he was filming "The Last Emperor", which was personally approved by Hu Yaobang.
"Ying Ruocheng in "The Last Emperor""
His wife, Yingda's mother, is Wu Shiliang, Cao Yu's secretary. With such a strong family study, where can Yingda almost go? Easily went to Peking University. In Peking University, he took over his father's will and founded the "Student Art Troupe Drama Team", the predecessor of the "Peking University Drama Club". Later, it had a famous president named Sa Beining, "Beijing University is OK".
In an interview that year, when talking about the luxury genes handed down by the British family for three generations, Yingda proudly said:
"I've surpassed mine in intelligence, so far I haven't encountered one."
After returning from studying in the United States, Yingda filmed "I Love My Family" and made sitcoms, which can also be regarded as the sole context for Chinese drama. He also has a special contribution. After his good friend Jiang Wen fell from the Peking University, he encouraged him to take the "Chinese Opera" exam. Before the exam, he specially asked a human art teacher to give Jiang Wen a tutor. I'll talk about this later.
Let's first take a look at the other two people related to Yingda, who are also typical "wen second generation".
Similar to Yingda's inheritance of drama genes, Liang Zuo, the screenwriter of "I Love My Family," inherited literary genes from his parents. Liang Zuo's father, Liang Da, was the deputy editor-in-chief of "People's Daily", and his mother, Chen Rong, was a writer. His representative work "Man to Middle Age" was made into a movie. When Liang Zuo was in elementary school, he began to publish articles, poems, lyrics, drums...there is nothing but writing.
Liang Zuo embarked on the road of cross talk creation. It was Jiang Kun who asked his mother for help, and he saw his "Tiger Mouth Daydream". After that, Liang Zuo wrote "The Thief Company" and "Elevator Adventure". "Extraordinary News" was also discussed by the Politburo, asking him not to make jokes about Tiananmen Square. It can be said that there is no one in the past and no one in the future.
Another from the House of Literature, Yingda’s ex-wife, Song Dandan. Sister Dandan's father is Song Fan, a children's literature writer, and her mother is Haixing, an art teacher. Song Fan participated in the revolution in his early years and worked as a teacher at Beijing Yucai School, and later as an official at the Beijing Municipal Committee of Education and the Municipal Federation of Literary and Art Circles. However, Song Dandan did not engage in literature and did not engage in fine arts, so he wanted to learn acting.
Unfortunately, I failed to test the Broadcasting Academy. The sister-in-law of her first love boyfriend happened to be Jiao Shihong, the daughter of Jiao Juyin. The first love heard that Renyi was enrolling students, so she specially invited two Renyi masters to counsel Dandan. Sister Song was admitted to the talent team as she wished.
Although Sister Song's father is an official in the Federation of Literary and Art Circles, this family is not ranked in the drama world.
"Pu Cunxin and Father Su Min"
Regarding the father’s hardship, it must be our teacher Pu Cunxin. Pu Cunxin's father, Pu Si Xun, stage name Su Min. The first-generation actor of Beijing Renyi. In 1954, the first version of "Thunderstorm" was staged, directed by Xia Gang's father, Xia Chun, and Su Min as Zhou Ping.
In the 1960s, Beijing Zhongshan Hall held a "Weekly Recitation Meeting", inviting famous artists to recite it. Pu Cunxin sat in the audience to watch his father.
What's more remarkable is that the ancestors of the Pu family had "two generations and three Jinshi". The two scholars of the second generation, one served as the Minister of Finance of Jiangsu Province in the Republic of China and left the line of Mr. Su Min, and the other moved to Sichuan as an official, gave birth to a granddaughter and married a local Li family. This granddaughter also has a grandson, who later became a writer.
That was Ba Jin who was awarded the title of "People's Writer" by the State Council.
After the founding of the People's Republic of China, Beijing gathered a large number of outstanding artists. What movies, literature, quyi, and music are the best in the country that can blow, play, write, and film, and get together in the capital.
That's why, looking at the entire Beijing cultural and entertainment circle, first of all, the "second generation of literature" accounted for half of the country. As Director Feng said, in terms of personal talents, family inheritance, and knowledge resources, these people leave behind a lot of others when they are born.
Of course, the focus of the "Wen Dai" influence is also different.
The one who is most affected by family education is probably our teacher Cai Guoqing. His father, Cai Zhongqiu, is a baritone actor at the Chinese Opera and Dance Theater. He always felt that his son was talented and took him wherever he performed, hoping to win his son.
Cai Guoqing studied piano at the age of 3 and entered the Yangguang Children’s Art Troupe at the age of 7. At the age of 10, he performed for Prince Sihanouk in the Great Hall of the People. In order to get his son to exercise, Dad Cai also sent him to Shichahai Sports School to learn martial arts for 3 years. In this way, he and Jet Li are considered brothers in the same discipline.
"Teacher Cai Guoqing also inherited a handsome face."
Before Cai Guoqing became famous, he had to practice listening and singing with his father every night. He performed at a state banquet in his childhood, forgetting a move, and slapped him when he stepped down. Back then, Cai Zhongqiu was only a member of the Dongfanghong Chorus. 45 years later, Cai Guoqing became the soloist at the "Road to Revival" celebration.
After he grew up, Mr. Cai was able to progress bravely and diligently on the road of art, which was really inseparable from the cultivation of his father's style of tiger and wolf.
Also cultivated by his father's oppression style is Wang Feng. Wang Feng's father Wang Jijun, the trumpeter of the Haizheng Song and Dance Troupe. Wang Feng can only play the violin at home when other children are playing crazy outside.
In his childhood, Wang Feng never had toys. After school every day, he had to practice piano for 4 hours. Wang Feng's later examination was also a decent student, the Central Conservatory of Music. It's a pity that he rebelled, did not go the classical way, and went to rock and roll halfway. If it weren't for his father to lay him such a solid academic foundation, Wang Feng would also have difficulty making a blockbuster.
In the Haizheng Song and Dance Troupe, Wang Feng's father has a comrade-in-arms, singer Hu Baoshan, a national first-class actor, and his masterpiece "I Love This Blue Ocean". Hu Baoshan has a son everyone is familiar with, named Hu Jun. Obviously Lao Hu is not as harsh as Lao Wang. Hu Jun didn't take the path of singing, and went to Renyi when he grew up.
But it is worth noting that when he was admitted to the opera class, he sang "My Sun" in the original Italian language.
"Hu Jun's uncle Hu Songhua, grandfather and handsome dad"
If it is said that the family education is represented by Wang and Cai, then in terms of knowledge, the first generation of rolling circle is definitely the first early adopter. In the early 1980s, when even Teresa Teng was forbidden to listen to songs, the people in the rolling circle first heard the “smuggled” rock music from overseas through their parents or relatives.
Did Cui Jian see Lin Liguo playing the guitar? Anyway, He Yong's dad was the first in China to play an electric guitar.
Cui Jian’s father, Cui Xiongji, was a meritorious player in the Air Force Band. His godfather played the trumpet with him since he was a child; Wang Yong, who wrote "Let Me Sprinkle Some Wilds on the Snow" with Cui, his father Wang Shihuang is the secretary general of the Chinese Guzheng Research Society. Cheng Jin of the "1989" band, his father is a teacher of the Conservatory of Music; Gao Qi's father is a conductor of the Central Music Troupe, and Zhao Muyang's father is an opera screenwriter.
崔健的父亲崔雄基是空军乐队的一名功勋球员。他的教父从小就和他一起吹小号。与崔一起写《让我在雪地上撒些野草》的王勇，其父亲王世煌是中国古筝研究会秘书长。 “ 1989”乐队的成瑾，父亲是音乐学院的老师；高崎的父亲是中央音乐团的指挥，赵慕阳的父亲是歌剧编剧。
He Yong’s father, He Yusheng’s father, was 13 years old and worshipped under Han Defu, “Sage of Strings”. He has been the head of the plucked string instrument of the Central Song and Dance Ensemble for more than 30 years. He is a colleague with Cui Jian’s partner Liu Yuan’s father, Liu Fengtong. "Er" is a neighbor and brought Liu Huan, Na Ying and Sun Nan.
何勇的父亲何玉生的父亲13岁，在韩德夫的“弦乐圣贤”下受到敬拜。 30多年来，他一直担任中央歌舞团采摘弦乐器的负责人。他与崔健的合伙人刘媛的父亲刘凤桐是一位同事。 “ Er”是邻居，带来了刘欢，那英和孙楠。
It is precisely because of the father's position and the influence of the family that the veterans in the song and dance troupe can hear so much Western music, and can take the lead in aesthetic awakening when most people are in ignorance and lead the Chinese rock trend.
In addition to family education and insights, the greatest influence of the "wen generation" is probably resources.
The first one is our Faye Wong queen. Faye Wong's mother is a soprano singer Xia Guiying from the Coal Mine Art Troupe. In 1986, "The First Hundred Big Singers Together" shook the capital. Teacher Xia immediately found Jia Ding, the person in charge of the second song, and put his daughter on the stage. This is nothing. Faye Wong's father, Wang Youlin, is a coal mine engineer. Grandfather Wang Zhaomin and Li Ao’s father were classmates, and later went to Taiwan and became legislators.
In his later years, Wang Zhaomin was recuperating in Hong Kong, and Wang Youlin went to take care of her, looking for an opportunity to take Sister Fei to Hong Kong.
After arriving in Hong Kong, from entertainment resources to music concepts, Sister Fei directly dealt a dimensional blow to pop singers in the Mainland.
"Look at the picture to read"
Like Faye Wong, Zhang Qiang has a good resource. His mother is a violinist with the Chinese Film Orchestra. In 1984, Yunnan signed a young singer with audio and video. Zhang Qiang and her mother asked her to audition.
Unexpectedly, this recording sold out 600,000 copies of the album "Tokyo Night". Zhang Qiang's second album directly sold more than 10 million copies. Two years later, Zhang Qiang appeared in the "Time" magazine and became a generation of "Disco Queen."
This is true in the music world, and so is the film world.
Chen Peisi's father Chen Qiang, an older generation of performance artist, Huang Shiren in "White Haired Girl". Chen Peisi jumped into the line, suffering too much, and was almost hungry, and finally begged Chen Qiang to help him return to the city. Chen Qiang thought about it, and with his connections, he could only let his son join the art troupe. So I personally taught the steps and gave the lines.
It's a pity that Chen Peisi's talent for comedy has not yet been revealed. After several troupes, they were all brushed down. Finally, Chen Qiang lowered his face and asked to play "Xi'er" Tian Hua. Tian Hua trusted the relationship at the Bayi Factory, and the Bayi Factory said: We are short of some actors who are playing rogues. Let him come if we want to.
Uncle Ge Youge, another king of comedy, is similar. Ge You's father, Ge Cunzhuang, is also a performance artist of the older generation, who starred in "Southern Expedition and Northern War". Ge You has been timid and cowardly acting since childhood. After graduating from high school, I went to the suburbs of Beijing to raise pigs and wanted to be an actor when I came back.
Nortel, Chinese Opera, Experimental Theater, and Youth Art Theater have been tested all over, and the whole army is wiped out. In the end, it was Elder Ge who taught him how to act before he was admitted to the Art Troupe of the Federation of Trade Unions.
Although Chen Peisi's Spring Festival Gala and Uncle Ge's selection of the movie emperor in the future, they all made money by their strength. But without the push of being a father, the two comedy geniuses still don't know which wall they will hit.
Not only the generation of Tian Zhuangzhuang and Uncle Ge, but the influence of literary and artistic families still works under the market economy.
It's just that compared to Uncle Ge, the "Xinwen Second Generation" who grew up in today's dirty entertainment circle are obviously not enough for Ollie. The outstanding representative here is Li Xiaolu, the Queen of the Golden Horse.
The Li family is called a real literary family. Li Xiaolu's grandfather, Li Gan, a veteran of the Anti-Japanese War, became the production director at Bayi Studios after the founding of the People's Republic of China.
Li Gan’s son Li Danning is also the director of Bayi Factory. Li Xiaolu was under 3 years old, and when the factory made a family planning promotional video, she hugged her. Li Danning's wife, Zhang Weixin, was a famous actor in Changchun Film Studio. When Li Xiaolu was a child, she often followed her mother in the movies, and it is no wonder that when she had a fever, she shouted: I want an Oscar!
You all know what happened later.
In the director circle, Teng Huatao got a good hand. His father is Teng Wenji, a representative of the "fourth generation", and has won many awards in China. His mother is the screenwriter Weng Luming, who directed the sci-fi film "Thunderbolt Bebe" born in the 1980s. While still in college, Teng was an intern in his dad's crew. After graduating in the 1990s, with other directors as assistants, he transformed directly from the literature department into a TV drama director, got a lot of scripts, and finally reached the top with a "Snail House".
During this period of film craze, he successfully received 2 million from the "China Film Young Directors Program" and switched to filmmaking. After his dad and Feng Xiaogang became neighbors, they even boarded the big boat in Beijing and took the article and Bai Baihe to film "33 Days of Broken Relationship."
It's a pity that making movies is better than making TV shows.
A "Shanghai Fortress" finally hit the street.
Teng Wenji and Teng Huatao
ten Gwen鸡and ten GH UA套
In contrast, the same "sixth generation", Guan Hu, who was born in Beijing Film Studio and grew up in Hutong, is much better than him.
His father Guan Zongxiang is not considered a big name, how did people rely on "Eight Hundred" to become Huayi's life-saving straw?
In addition to Li and Teng, there are also several stars in "Xinwen 2nd Generation" from the Beijing Quyi Circle.
Due to historical reasons, after the founding of the People's Republic of China, the artistic status of the masters of Quyi was elevated to a very high level. The “second generation of Wen” who came from this sect is also indispensable. For example, Xie Dong who sang "Smiley Face", his mare Zenghui was born in the Beijing drum music family, his grandfather Ma Liandeng, Xihe drum performance artist. His maternal grandfather's grandfather had half the credit for this art to be in the elegant hall.
His father, Xie Lingxiao, is an actor in the CCTV drama production center. Before he was 20 years old, Xie Dong entered CCTV recording and video recording, and participated in the production of many large-scale evening parties.
Xie Dong can be regarded as the first echelon in terms of the status of Quyi family.
It's a pity that he didn't live up to it, so he insisted on taking drugs.
The new generation comes from a family of folk arts and is known as Guan Xiaotong, the "Beijing Circle Gege". Her grandfather Guan Xuezeng, the second-generation heir of "Single Qin Dagu", the founder of Beijing Qinshu, and former chairman of Beijing Quyi Artists Association. In 1996, Lao Mouzi filmed "If You Have Something to Say," and the background music of the piano book was sung by Mr. Guan.
His son Guan Shaozeng is also an actor, and he has made many semi-popular works. As for Guan Xiaotong, 8 years old played "Promise", 11 years old played "Tsing Tomb", 13 years old played "If You Are the One 2", this resource, just ask who in your circle can compare?
Unfortunately, in the end, acting is still very urgent.
There is also a Xiaohuadan from a quyi family named Liu Shishi. Liu Shishi's grandfather is Liu Tianli, the "Xihe Drum Master", who performed for Premier Zhou at the Chang'an Grand Theater. After the performance, the prime minister also held the old man's hand tightly, so that he must pass on this art.
Back then, at the "Beijing Third Congress of Art and Literature," the chairman was Lao She, and there were famous artists such as Hou Baolin, Cao Yu, and Jiao Juyin. Mr. Liu was naturally there.
"Yuan Kuocheng's wreath when he died, look at pictures to read"
When Liu Shishi was a child, he wanted to teach his brother Yuan Kuo to learn storytelling with his grandfather. Yuan said that girls should learn storytelling and go dance. Then Liu mother sent her to the "Beijing Academy of Opera Arts" to practice ballet. The former principals of the school were not outsiders either, they were all folks, such as Ma Lianliang, who had a meeting with Liu Lao.
Later, Liu Shishi went to the North Dance and debuted in two plays before finishing his studies, one "Moon Shadow Wind Lotus" and the other "Flying Flowers Like Butterflies". The director of these two plays is called Pingjiang Suojin, this person was originally named Zhou Xianglin, and his mother was a descendant of Cheng Yanqiu's school. The leading female actors of the two dramas are both famous Yue Opera performers, He Saifei.
That is, when performing these two plays, Liu Shishi, who danced, listened to Zhou Xianglin's suggestion and changed her name to Liu Shishi.
A granddaughter of Xihe Drum, a son of a descendant of Cheng Pai, a performer of Yue Opera...
Liu Shishi appeared on the show in his early years and said that he was from an ordinary family. I dare not ask how this scene is going on.
There is still room for improvement in anti-frontal paralysis.
It can be seen from the above that for decades, the "wen second generation" and even the "wen third generation" have always been the first to get tickets to enter the entertainment circle. Even if some people are engaged in a career that has nothing to do with their parents, for example, Cheng Fangyuan’s father is an art designer from the Beijing Film Studio, Cheng Dexin, and Dong Hao’s father is a capital painter and calligrapher Dong Jingshan, but in the area of literary influence, they are better than others’ children. Smoked hard.
Not to mention the literary and artistic families in front.
Zang Hongfei’s mother, a piano teacher, took him to the Central Conservatory of Music when he was 3 years old; Jin Haixin’s mother’s student was the Three Treasures who wrote "The Dark Fragrance", Jin listened to the Sambo’s advice, and started singing after high school; Peng Lei His dad, Peng Guoliang, is a cartoonist. His masterpiece "Puppy Dog" has nothing to do with music...
These few people, the father's generation is not a master.
Family studies and genes are still outstanding.
In short, if you do this at home, or mix in this circle yourself, then you will always have a few more stepping stones on your innate understanding or acquired resources. Whether talented, hardworking or not, that is another matter. Especially in a place like Beijing where the largest number of literary and artistic talents in our country are gathered, the number of "second generations of literature" is naturally large.
"Peng Lei's Dad Collection"
Compared to them, another group of people are "intruders" in the entertainment circle.
In addition to literary and artistic workers, Beijing also gathered a group of people.
Teacher Wang said in the preface of "Looks Beautiful", "Beijing Fuxing Road, the long and narrow area with a radius of more than ten kilometers is regarded as my hometown... I call this area the "district of courtyard culture"." After the founding of the People’s Republic of China, the military institutions and state ministries and commissions’ "commissioned in Beijing"
From Gongzhufen to the foot of West Mountain in Beijing, along Wanshou Road and Yuquan Road, the headquarters of air, sea, communications, headquarters, and artillery lined up in order.
In the early days of the founding of the People’s Republic of China, the war had just subsided, and the status of soldiers was elevated to unprecedented heights. In the early years, the "children of the army courtyard" were the most powerful. Everyone wore military uniforms. Who would look at your children from Beijing No. 4 Middle School? Gao Xiaosong was only envious when he saw them on the street. It is a pity that after the reform spring breeze blows all over the ground, the students of the big yard recovered and returned to Beijing. They found that the times had changed and their status had dropped sharply. Everyone began to worship rich people and stars. In peaceful times, no one respects soldiers as much as before.
Some of them are not reconciled, but also want to become famous and make big money.
In the words of Teacher Wang, it is:
So Shen Tan appeared, dancing and making ink.
Among the children in the compound, one of the hardest backgrounds was Ye Daying. His grandfather is Ye Ting, his father Ye Zhengming is an outstanding general, and his mother An Qi is an actor from Bayi Film Studio. The Bayi Factory is also the place where military education films were made. Ye Daying grew up here before he was 10 years old. After the college entrance examination resumed in 1978, he also passed Nortel. It is a pity that Tian Zhuangzhuang does not have the family background and knowledge content, unfortunately failed. Instead, I went to the West Film Studio actor training class.
During the exam, I recite the poem "Prisoner's Song" written by my grandfather Ye Ting.
Later, Ye felt that he was not an actor, and went to Nortel to attend a director training class. When I returned to Beijing, I was introduced to Wang Shuo from the same compound. At that time, Wang Shuo had written his masterpiece "Stewardess". This novel was shot in a TV series by Zheng Xiaolong, who was born in the same compound.
Zheng Xiaolong's father is the propaganda director of the General Logistics Department, and Wang Shuo's father is an instructor in the training director department. When I was young, Wang Shuo and his brother often went to Zheng's courtyard to watch movies. In 1978, Zheng was admitted to the branch school of Peking University. After reading back to the unit, it has been changed to Beijing TV Drama Production Center. Once Zheng went in, he started as an editor, and soon he was promoted to the director of the sub-control film.
During this period, he saw Wang Shuo's "Stewardess", and he was very courageous, so he jumped directly to declare and made it into a TV series. Teacher Wang followed into the film and television industry.
"The First Victory Meeting of the Beijing Circle Network"
But to gain a firm foothold, Ye Daying had to pave the way.
After meeting Wang Shuo in Beijing, Ye Daying focused on a few novels in his hands, and told Wang Shuo about his trip to Sichuan to make a film, so that Wang Shuo wrote "Stubborn Lord". After that, Ye Daying ran around and asked Tian Zhuangzhuang's classmates Xia Gang and Huang Jianxin to shoot Wang's novels. He also took Wang's "Rubber Man" to shoot "Big Breath", and had a director addiction.
As a result, Wang Shuo rose to fame. It happened that Zheng Xiaolong was going to make some achievements in the North Television Center, and he called in Teacher Wang and a group of Wenqing to save up a popular drama called "Desire".
That year, "Desire" hit the highest ratings in history. With this glorious performance, Zheng quickly gained a foothold in Beijing Television, and Wang Shuo has since then focused on the direction of film and television. Later, he pulled up Ma Weidu, Feng Xiaogang and others to work on "Editorial Story" and "Hippocampus Song and Dance Hall" and became a hot screenwriter.